| It's just another fading memory... |
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Here's our reviews from 2001: click away to read reviews from 2002, 2000, 1999 and 1998.
Rock Cafe 2000, Stourbridge - Saturday, December 8, 2001 [set list by Singer Dave]
Mama / Abacab / Domino / That's All / Jesus He Knows Me / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Follow You Follow Me / The Fountain Of Salmacis / Home By The Sea - Second Home By The Sea / Horizons / Supper's Ready / Land Of Confusion / Invisible Touch / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / I Know What I Like
The Limelight Club, Crewe, Cheshire - Friday, November 17, 2001
I Don't Care Any More / Don't Lose My Number/ Both Sides Of The Story / I Missed Again / You'll Be In My Heart / Another Day In Paradise / Against All Odds / Dance Into The Light / River So Wide / Find A Way To My Heart / Easy Lover / Hand In Hand / And So To F / Dodo - Lurker / Abacab / Domino / The Fountain Of Salmacis / Land Of Confusion / Fading Lights / No Son Of Mine / Home By The Sea - Second Home By The Sea / Invisible Touch / Supper's Ready / I Know What I Like
This was a rather special gig - it was the finale to The Ultimate Phil Collins Tribute 2001, where Phil broke the world record for endurance drumming. Our set - as well as that of Band X, who played the previous night - was made up of a mix of Phil Collins and Genesis songs. Many thanks to BBC Stoke to promoting Invisible Touch and The Ultimate Phil Collins Tribute 2001 on their web site. We hope you don't mind, Auntie Beeb, but we had to borrow a copy for our scrapbook: click to have a look at what they said about us and Phil!
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| Phil at The Limelight Club, Crewe |
Just in case you hadn't heard already, last night Invisible Touch's drummer, Phil Duke, completed her record breaking attempt at non-stop drumming. The existing record had been set at a little over 36 hours. Phil smashed that and the new world record now stands at over 41 hours! Congratulations to her and all the guys and girls who made it possible, and to the two bands Band X and Invisible Touch who played their hearts out - well done everyone!
Alan Hewitt
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| Richard at The Limelight Club, Crewe |
Firstly, congratulations to the Invisible Touch drummer Phil Duke for setting a new endurance drumming World Record - 41 hours non-stop! All for a great charity, too. Secondly - the gig. I saw the Friday night show with IT performing some of Phil Collin's solo stuff, followed by a varied collection of Genesis numbers. This was the first tribute band I have seen and I was very impressed. They are much taller than Genesis (who are about 1/4 of an inch tall at all the gigs I've been to!) and they were available to talk to afterwards!
What about the music? Well, the PC stuff was OK, but there seemed to be something missing - PC relies heavily on slick performances, lots of musicians and top production to add interest to his songs when playing live. Take this away and the result can be disappointing. Of the IT performances, "Easy Lover" was impressive and they must be commended for trying "Hand In Hand" with only one keyboard player and no brass section! I doubt that IT play PC stuff that often and it was a pretty fair crack at his song book. One outstanding piece was an instrumental listed as "And So To F". Showing my ignorance of PC's work, this was not a track I knew, but it was incredible! Phil the drummer suddenly found a huge adrenaline surplus (after 39 hours!!) and the band powered through it. Great stuff, but what was the track and were does it originate from? Or have I got it completely wrong? [It's a rather splendid Brand X track, from the marvellous album "Product" - IT Web Ed.]
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| Tony at The Limelight Club, Crewe |
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| Dave at The Limelight Club, Crewe |
Moving on to the main attraction - the Genesis songs. At this point the crowd went wild! Well at least the few that turned up did. Where were you all? This was all for Children In Need too! As IT started into the set, it was soon very obvious what this band liked doing most! The guys on stage were Genesis fans through and through. Dave Whitehouse, the singer, really took on the roll of Phil Collins, complete with theatrical gestures throughout. "Dodo/Lurker" was an ideal opener and "Abacab" was another great cover. "Domino" was just fantastic. A bit more atmosphere from the lights and it would have been perfect. "The Fountain Of Salmacis" was a tricky number to do and IT gave it a very good try. "Land of Confusion" was packed with energy and brought the crowd to life again with a bit of audience participation. "Fading Lights" and "No Son Of Mine" were also well performed, but not songs that I would choose to hear live. "Home By The Sea" was just superb though. Did the stage actually start floating?
IT played IT next, with the manager carefully watching Dave, presumably to check he didn't use the 'alternative' lyrics! Next up was the masterpiece "Supper's Ready". This was just incredible! OK there were errors, but Genesis also made quite a few cock-ups when playing it live. Phil Duke showed she still had energy left and was well supported by Richard Mills (keyboards), Dave Woodward (guitar) and Tony Burton (guitar & bass) throughout the 1/2 hour long spectacular. Dave Whitehouse was also well supported by 200 fans shouting the lyrics as the songs meandered along. I listened to the "Seconds Out" version on the way home and I think IT's cover contained far more feeling and emotion. The final track was "I Know What I Like" and it was another stunner. By this point a large group of completely mad Genesis fanatics had gathered at the front of the stage (me included) and were yelling the words to the song. A great way to end the gig, as it was definitely Phil Duke's show. The play list had included several more songs, but exhaustion and the arrival of a BBC film crew meant no encores. A shame, but completely understandable.
Overall, this was a brilliant gig. Its unfair to compare the performance of a tribute against Genesis themselves. IT put on a great show that all Genesis fans would warm to instantly. After all, everyone is there because they simply love the music. On reflection, I actually enjoyed this far more than seeing Genesis because it was not grandiose or contrived in any way. It was about playing music for the sheer pleasure of it and that has to be a good thing! I will certainly be back for more and I hope that this will persuade a few more fans to support all the tribute bands keeping the music of Genesis Live!
Simon Harvey
The Boat Race, Cambridge - Saturday, October 6, 2001 [set list by Phil]
Mama / Abacab / Domino / One For The Vine / The Fountain Of Salmacis / Fading Lights / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Land Of Confusion / Home By The Sea - Second Home By The Sea / Horizons / Supper's Ready / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / Invisible Touch / Turn It On Again
Just a quick review of my first experience of a Genesis Tribute band. My wife and I travelled to the Boat Race in Cambridge on Saturday 6/10/01 to see Invisible Touch there. Having only read reports on Paperlate and various web site we were looking forward to the show starting. Not quite knowing what to expect we were pleasantly surprised.
From the opening track, "Mama", it was plain to see that these guys and girl took the music seriously. The manic laugh was done very well and this was just a great track to kick off with. I was looking forward to "Fountain" as I have never seen this done live and wasn't disappointed. "Fading Lights" was really powerful, and the "In The Cage" medley took me back to those hot summer concerts at Wembley. The rest just flowed, and what can I say about "Supper's Ready", played and sang from the heart by all on the stage. "I Know What I Like" brought things down to earth again, building up to the closing track "Los Endos".
The encore didn't disappoint either, how good it was to hear the piano intro to "The Lamb". "Invisible Touch" and "Turn It On Again" closed the show of in style. The sound was really good, as were the lights. I was talking to Dave (vocals) at the bar afterwards while my wife was talking to Phil and you can tell they really enjoy doing this and giving us fans what we want. If you get the chance to see them, do so, you won't be disappointed. they deserve all the support they can get.
Daryl Dawes
"The Fountain Of Salmacis", "Supper's Ready", "I Know What I Like", "The Lamb Lies Down On Broadway". Genesis from the 70's, you missed them? Then this is the band to see, for the true Genesis fan. Incredible and excellent reproduction.
Nicholas Barnard
Rock Cafe 2000, Stourbridge - Saturday, September 22, 2001 [set list by the band]
Mama / No Son Of Mine / Dodo - Lurker / Abacab / Eleventh Earl Of Mar - Squonk - Firth Of Fifth / The Fountain Of Salmacis / Fading Lights / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Home By The Sea - Second Home By The Sea / Land Of Confusion / Horizons / Supper's Ready / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: Turn It On Again
From the Invisible Touch mailbox...
...here's a quick thank you for the fabulous Saturday night's entertainment you provided in Stourbridge. The gigs just keep getting better and better.
Steve Hewitt
The Brook, Southampton - Friday, July 13, 2001 [set list by Tony]
Dodo - Lurker / Abacab / No Son Of Mine / The Fountain Of Salmacis / One For The Vine / Land Of Confusion / Squonk / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Home By The Sea - Second Home By The Sea / White Mountain / Horizons / Supper's Ready / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / Turn It On Again / The Knife
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| Invisible Touch at The Brook, Southampton |
As I had travelled specially from Morecambe to see the gig, I was treated to the tuning up and mayhem before the onslaught of a 3 hour set. The lousy jokes, the Chinese food, and the look on Dave Whitehouse's face as he revised the lyrics to "White Mountain" were a treat. The soundchecks went on for ever and there was a queue forming outside hearing a few clues as to the set-list for the gig. At one stage, I did think that they wouldn't get the sound that they deserved, but at the last minute, the Gods above did smile and lo! They delivered unto the band a sound worthy of celebration. And we were not worthy! This was gonna be one hell of a night. I'll let me explain…
Now I've got a copy of the set list here in front of me and I'm at a dilemma to pick out the best bits while also keeping this review short-ish. I'm sure Ken Hilton will butcher it to fit if need be [oh no he won't - IT Web Ed]. "One, Two, Three, Four! BANGGG!". Their opening salvo "Dodo" was under way. I defy anyone to listen to this song and tell the difference between the original Genesis version on "Three Sides Live". Next landmark for me was "No Son Of Mine". I thought this might fall flat just before the drums kicked in but Phil and her electronic kit soon sorted that preconception out. I still remember one bloke at the back looking round at his missus and mouthing the words, "BLOODY HELL!" as he grinned away in awe, thinking this song was the best thing since sliced politicians. Knockout.
It was obvious that the "In The Cage" medley was gonna kick some serious bottoms. The whole band delivered the song with enormous power, not least Dave Whitehouse who acted out a convincing Rael during this barnstormer. He, more than anyone provides that link between sound-alike and look-alike. He's got the singing voice everyone in that venue wanted, and he proved that it can be done properly with power AND without bursting a bloodvessel or getting a sore throat and needing four packs of Strepsils and a tonsillectomy.
Top treat coming up folks. "White Mountain"! Who would've thunk it? Now in it's thirty-first year and not given an airing for donkey's years. Tony Burton had a great acoustic sound on this bit and Dave Woodward had a 12-string electric. I was in the balcony at this point watching the cameraman doing his visual trickery with pan shots and close up shots of some excellent strumming. When this vid gets released, it shouldn't just be essential, it should be mandatory. There is gold on this item. If it has the next song, it will be worth it for this alone.
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| Tony at The Brook, Southampton |
"Supper's Ready". When my brother Bob and I used to attend the Re-Genesis gigs a few years back (and inevitably fall asleep on the last tube to Upminster instead of Whitechapel), we had this ritual when as soon as they started "Supper's Ready", we lit up these huge cigars to assist this musical epic. The cigar lasted almost as long as the track. I'm afraid it was ciggies only tonight but the vibe that ran thru the song was enough compensation for my lack of Havana's finest. "As Sure As Eggs Is Eggs" bit at the end was the highlight of the gig even though to get a good view I was hanging on to the chimney breast upstairs for grim death.
Little did I realise that there was almost another 40 minutes to go. Everything they played on this final stomp towards the end of the gig had the word CLASSIC stamped on it in letters three feet higher than the venue. I've been to a few gigs in my time and my attention span is usually limited to about two hours. "Supper's Ready" is where I thought I may have "hit the wall". With quality like this on every song, there was no such flagging. The crowd went berserk, the band lapped it up and the best performances ever by Invisible Touch was achieved. You don't believe me? Watch the video.
Phil's drumming and co-ordination were on another level tonight gelling the whole show together into a slick gig worth a lot more than the £6 entrance fee. Tony Burton and Dave Woodward have injected a new lease of life into the band and their versatility and energy was not unnoticed. Richard's keyboards skills were always polished but when he makes complicated music look easy, you really feel like slapping him. Wonderful work. Man of the match goes to Dave Whitehouse. You try and sing anything for 3 hours, let alone Genesis, and you're the guv'nor. Apart from the genuinely moving parts of "Supper's Ready", and the well revised newie, the ones that blew everyone away were the songs that when Phil Collins sings them, they sound scary. Dave Whitehouse made then sound terrifying.
Invisible Touch. They're a bloody revelation.
Cameron Seddon
From the Invisible Touch mailbox...
This was Invisible Touch's second visit to The Brook - and it was noticable that word has spread since their first visit, as the venue was packed. They started off with "Dodo" and "Abacab", my favourite two from the "Abacab" album. Other highlights were "White Mountain", played for the first time and a superb performance of "Supper's Ready". All of the musicians played well and the reproduction of the material was of a very high standard - a performance of almost exactly 3 hours. Well done - come back soon!
John Kent
I just wanted to let you know how much I enjoyed the gig last night. I reckon that the band has improved since I saw them in January, and I thought they were awesome then! Congrations to the band members - come back south very soon please!
Vicci Elliot
Just a note to say thanks for another fantastic evening of music - we thoroughly enjoyed the show on Friday night. Nice to see you all enjoying yourselves as well. At one point I thought we really had Phil Collins on stage When Dave was doing his tambourine solo! It was just brilliant to see. "One For The Vine" was perfect right down to the duck call, a real treat for me, I've always wanted to hear this live. Thanks again to all the band!
Alan Dicks
Well done for providing a stunning show! This is the third time we have seen you play and each time you have improved no end. The three hour set was a veritable treat of classic live tunes. The setlist of old and new was well chosen and executed. Too many highlights to mention - Re-visit Southampton soon!
Dave Moore
The Regency Club, Rugby, Warwickshire - Saturday, June 9, 2001 [set list by Guitar Dave]
Dodo - Lurker / Abacab / No Son Of Mine / Domino / Home By The Sea - Second Home By The Sea / Land Of Confusion / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Horizons / Supper's Ready / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / Turn It On Again
A terrific night's music! Or every bit as good as the first and last time I saw them! Covering all eras, starting with '80s numbers - "Abacab", "No Son of Mine", "Turn It On Again"; '70s classics - that brought a big cheer - A fantastic medley of "In the Cage" and others, and of course "Supper's Ready". And my number one piece - "Dance on a Volcano", going into "Los Endos". Yahoo! IT - I love you all!
Janet Edmonds
Last night at the Invisible Touch gig, with a select group of followers, I was treated again to a feast of Genesis music played with enthusiasm, skill, humour and feeling... I invited myself to sit down with some other followers, and was gob-smacked yet again by five people who can just reproduce those sounds whilst laughing, joking, smiling, banging tambourine on head/knees/arse/elbow/ankle! Thanks for the whole gig... many many highlights.
Eamonn
The Limelight Club, Crewe, Cheshire - Sunday, May 6, 2001 [set list by Ken]
Dodo - Lurker / Abacab / Domino / No Son Of Mine / Home By The Sea - Second Home By The Sea / Land Of Confusion / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Horizons / Supper's Ready / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: Invisible Touch / The Lamb Lies Down On Broadway - The Musical Box / Turn It On Again
Put simply, Invisible Touch are a great band, they enjoy the music and it shows. Dave Whitehouse is an excellent singer who can really put a song across; but for me most bands are made (or broken) by the drummer and IT has an excellent one in Phil Das Bhakta. She is a powerhouse who takes a piece by the scruff of it's throat and really get to grips with it. Her drum solo between Volcano and Los Endos was wonderful - however all the band were excellent. The crowd were very responsive, and it was great to see John Wilkinson and Will Smith of Face Value enjoying the music as well.
Stephen Witkowski
Invisible Touch were fantastic last night. It's the first time I've seen them & it definitely won't be the last!! Dave really lived every song with emotion & vigour, and the rest of the band powered through the set (great guitars, great keyboards, superb drums!!!). Their version of Supper's Ready was stunning - a real cure for my post-G2 blues. Overall, a fantastic time was had by everyone, and I can't wait until this excellent band venture back up North!
Michelle Bond
Managed to catch Invisible Touch last night at the Limelight Club in Crewe for the first time. It won't be the last... they were superb. The performances of old and new Genesis classics were as good as I have seen. Highlights for me were the In The Cage medley, Supper's Ready, and Home By The Sea. A word if I may about Dave... I was very impressed with his vocals and stage presence. Real power and passion in his delivery. Anyway... my final word is go and see Invisible Touch live, you won't be disappointed.
John Wilkinson (vocals, Face Value)
West One Four, West Kensington, W14 - Saturday, April 28, 2001 [set list by Richard]
Dodo - Lurker / Abacab / Domino / Deep In The Motherlode / Supper's Ready / The Fountain Of Salmacis / Mama / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Home By The Sea - Second Home By The Sea / Dance On A Volcano - Drum Solo - Los Endos
Encore: I Know What I Like
The Standard, Walthamstow, E17 - Sunday, March 18, 2001 [set list by Tony]
Behind The Lines / No Son Of Mine / One For The Vine / Eleventh Earl Of Mar - Squonk - Firth Of Fifth / Dodo - Lurker / Deep In The Motherlode / The Fountain Of Salmacis / The Lady Lies / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Home By The Sea - Second Home By The Sea / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / The Knife
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| Dave Woodward at The Standard, Walthamstow |
This was the third time I've seen them (the second time at the Standard) and it was by far the best they've played... The great thing was they stayed in the spirit of the band and played everything pretty much as it was done during the PC years, but in a slightly more sparkly and up-to-date fashion. I'm now faced with one of those annoying dilemmas - their next gig is two days before my first exam this year. Hmm. See you in Kensington guys...
Mike Davis
From the Invisible Touch mailbox...
Just a quick note to say thanks to you and all the band for a great gig at Walthamstow on Sunday. One of the highlights of the gig for me was "Dodo" - it was absolutely spot on! I also loved hearing "Squonk", "In That Quiet Earth", "No Son Of Mine" and "Dance on a Volcano" - but it was all good. Anyway, I'd better not got go one or I'll never stop!
Paul Holder
Thanks for a fantastic night at the Standard the other Sunday - a truly first class performance! You had me going absolutely mental at the end with Musical Box and The Knife! Please come back very soon; we always really get off on your wonderful show.
Dave Carter
Rock Cafe 2000, Stourbridge - Saturday, March 10, 2001 [set list by Singer Dave]
Mama / No Son Of Mine / Domino / Abacab / Eleventh Earl Of Mar - Squonk - Firth Of Fifth / One For The Vine / Deep In The Motherlode / Land Of Confusion / The Lady Lies / In The Cage - In That Quiet Earth - Slippermen - Afterglow / Home By The Sea - Second Home By The Sea / I Can't Dance / Invisible Touch / Dance On A Volcano - Drum Solo - Los Endos
Encore: I Know What I Like / The Knife
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| Invisible Touch at Rock Cafe 2000, Stourbridge |
For one who have never seen Genesis live, this must be as close as I could get! Breathtaking vocal power from one who even looked like Phil Collins! Heart and soul were put into guitars and drums. Plus, what was so much of Genesis' sound, the keyboards, were superb. A fantastic evening.
Fantastic! My emotional lava was threatening to spill out!
Janet Edmonds
Invisible Touch throw everything but the kitchen sink in terms of sheer effort and energy, delivering powerhouse versions of great songs and getting the audience well wound up. "Deep In The Motherlode", amongst others, provided an excellent example of this.
I have to say I can't imagine upon which energy source Dave Whitehouse draws for his performance. A stunning vocalist whose voice never once cracked across a whole 2 1/2 hours and whose facial expressions lived every lyric and feeling.
All in all a great nights entertainment, very much appreciated by a welcoming audience for only £5.00 (value or what?) and I'm very much looking forward to their return to the Midlands at Rugby in June. Many thanks to all the band and of course Ken for making your way up here.
Ian MacPherson
Invisible Touch clearly love the music they are playing, perform it well and (most importantly) enjoy what they are doing. As someone who rates "A Trick Of The Tail" and "Wind & Wuthering" as probably my favourite Genesis albums, it was wonderful to hear tracks like "One For The Vine", "In That Quiet Earth", etc. played live again (How about "11th Earl Of Mar" next time ?).
For their first visit to the Midlands, they drew a pretty good crowd who proved to be very enthusiastic. All in all a very successful first time at the venue and from the comments the boss Mark made to me during the set, I think they will be back again in the near future.
Adrian Holmes
The Boat Race, Cambridge - Saturday, February 3, 2001 [set list by Phil]
Mama / No Son Of Mine / Domino / One For The Vine / Fading Lights / The Fountain Of Salmacis / Abacab / In The Cage - The Cinema Show - In That Quiet Earth - Apocalypse in 9/8 / Jesus He Knows Me / Home By The Sea - Second Home By The Sea / Invisible Touch / Dance On A Volcano - Drum Solo - Los Endos
Encore: I Know What I Like
The Half Moon, Putney, SW15 - Sunday, January 21, 2001 [set list by Richard]
Mama / No Son Of Mine / The Fountain Of Salmacis / Abacab / Eleventh Earl Of Mar - Squonk - Firth Of Fifth / Fading Lights / Horizons / Blood On The Rooftops / In The Cage - The Cinema Show - In That Quiet Earth - Apocalypse in 9/8 / Land Of Confusion / Home By The Sea - Second Home By The Sea / I Know What I Like / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / The Knife
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The band with Steve Hackett - would the mysterious green-shirted man behind Steve please identify himself... |
Many thanks to Steve Hackett and his family who came along to see us at The Half Moon this evening! It was great for all of us to play to and meet someone without whom we'd all have be doing something a lot less productive on a Sunday night. Thanks Steve!
Just got back from tonight's Invisible Touch gig, down at the Half Moon at Putney. Now, I've seen these guys play three or four times now, and so know what to expect - bloody good music played extremely well. As usual they did not disappoint. However, tonight will stick in my memory for reasons other than the music... As I walked through the door of the pub, I held the door open for a guy behind me wearing dark glasses. As he thanked me, I realised that he looked remarkably like Steve Hackett. In fact, he looked identical to Steve Hackett.
The whole band performed just as well as ever, which considering the circumstances was pretty damn impressive. Special praise, and most probably a clean pair of pants, must go to Dave Woodward, the lead guitarist, who knocked out a perfect rendition of "Horizons", followed by "Blood on the Rooftops", with Steve sitting just 15 foot away. After the gig, Steve stuck around for a little while chatting with the band and posing for a few photos. I think a large proportion of the crowd were totally oblivious to his being there to be quite honest. Thanks go to the band for another great evening, and I encourage everyone to go and see these guys if they come anywhere near you: the music is top-notch, and you never know just who you might bump into at the bar...
Paul Mawdsley
Just got back from seeing Invisible Touch tonight who were excellent. Now, I'm normally a bit of a cynic when it comes to these things - but, frankly, these boys were brilliant. If you have an audience and do a type of music (very well) which the original band are no longer doing, then its great. If anybody gets the chance, see Invisible Touch.
John Boye
From the Invisible Touch mailbox...
Just a quick note to say how I loved your gig on Sunday at the Half Moon. It was great to Steve Hackett there (sunglasses inside - very rock'n'roll). Looking forward to see you at West One Four - keep up the great work.
Christopher Chapman
Saw your show at The Half Moon last night and was once again highly impressed. Also it gave me the opportunity to meet one of my heroes in the shape of Mr. Steve Hackett. I hope he was as impressed as I was! Thanks again - will see you at the W14 gig in April!
Peter Miller
Just wanted to add my voice to all who saw your gig last night - really excellent, particularly the old stuff. Given your band name, I expected rather more of the post-1976 stuff which I'm not so keen on. However, I was transported back to 1973 time and time again. "The Knife" rocked a fat one - the best track of the night. Hats off to your rhythm section by the way... very very tight.
Paul Stagg
The Brook, Southampton - Saturday, January 6, 2001 [set list by Guitar Dave]
Mama / No Son Of Mine / Abacab / Jesus He Knows Me / Eleventh Earl Of Mar - Squonk - Firth Of Fifth / Fading Lights / The Fountain Of Salmacis / Horizons / Blood On The Rooftops / Land Of Confusion / In The Cage - The Cinema Show - In That Quiet Earth - Apocalypse in 9/8 / Home By The Sea - Second Home By The Sea / Invisible Touch / Dance On A Volcano - Drum Solo - Los Endos
Encore: The Lamb Lies Down On Broadway - The Musical Box / Turn It On Again
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| Invisible Touch at The Brook |
Many thanks to BBC Online Southampton to promoting Invisible Touch on their web site. We hope you don't mind, Auntie Beeb, but we had to borrow a copy for our scrapbook: click to have a look at what they said about us. Looks familiar? We thought so too.
A big thankyou to Ken and the members of Invisible Touch for a superb performance at The Brook, Southampton last night. My wife and I travelled down from Brighton and had previously gone to The Brook on two other occasions to see Regenesis. To say we were impressed would be an understatement! So many highlights to mention but the three that stand out and brought a lump to the throat were "Fountain of Salamacis", "Horizons" and "Blood On The Rooftops"... all performed to perfection.
Martin Holmes
We were at the gig last night and would just like to pass our congratulations on to you it was brillant. Special mention to the drummer (she was superb) and the young guitarist!
Vicci Elliot
From the Invisible Touch mailbox...
Great set at The Brook, if I turned and faced the other way... you would never know! "Blood on the Rooftops", excellent.
Leon Burton
It is always great to see all those Genesis tracks I've grown to love so skillfully handcrafted live in front of my very eyes (and ears!). One high spot for me at that gig was during "Firth Of Fifth"... That piece has always sent shivers down my back and it was good to see Dave getting so much out of it playing it.
Nigel Walker
Many, many, MANY THANKS for a superb & extremely enjoyable evening from the Jersey contingent. You really made our day, year, millennium... Even more so for Bob as it was by far the best birthday in many a long year.
Bob and Steve